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Spring has come to White Bear Landing-and so has the law, in the firm hands of Royal Mounted policeman and pilot Bob Dixon. Dixon’s as gruff, tough and good-looking as Russell Crowe, and in this outpost halfway between the arctic mines and civilization, he’s known for taking the law to extremes. More than once Dixon has meted out his own brand of rough justice with hard fists and hot lead, but now the tables have turned. The past has come back to haunt him, he’s been set up as a murder suspect, and a rogue’s gallery of enemies are lining up to settle old scores . . . Out on the icy tundra, on the edge of the world, revenge can be cold-and brutal. Dixon’s only hope is to let the trust of a good friend and the love of a good woman lead the way to true justice and redemption-on Arctic Wings. Hubbard never wrote a word, conceived a character, or described a setting without first finding out all he could about the people and places that drove his stories. He wrote: "I began to search for research on the theory that if I could get a glimmering of anything lying beyond a certain horizon, I could go deep enough to find an excellent story. I read exhaustively. I wanted information and nothing else." His exhaustive research-and search for the excellent story-comes through brilliantly in Arctic Wings.
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Drilling for oil is a dirty business, and for Bill Murphy, it’s about to turn positively filthy. But Murphy’s as big and tough as his home state of Texas-a man in the mold of a young John Wayne-and he’s more than a match for everything the oil-rich land of Venezuela can throw at him. Everything, that is, except for one woman . . . Her name is Marcia Stewart. She’s fiery, she’s brave, and she’s beautiful . . . and she’d like nothing better than to see Bill Murphy dead. Her oilman father’s been killed, and Marcia tags Murphy as the murderer. Murphy’s guilty of a lot of things, but murder’s not one of them. He’s drilling down for the truth, and now it’s his land, his love for Marcia-and his life-that are on the line. With so much at stake, he’ll go to any length to come out on top of the Black Towers to Danger. When Black Towers to Danger was first published in 1936, the editor wrote: \u201cL. Ron Hubbard, as you know, is a pilot, a writer and an engineer. The one thing he doesn’t work at is engineering. He was in China at 15 and has covered a lot of territory since then. If he’s on a flying field-or anywhere else-you can’t miss him-he’s a tall, slender chap with very fair skin and bright red hair. Something picturesque about him as there should be about a flyer.\u201d And not only was he a man with a commanding presence, so too did he have command over his material, researching the entire oil drilling process for this story. "Roars to life." - Publishers Weekly
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The ancient jungles of the Yucatan hide a world of secrets . . . the secrets of wealth, love, and fate. Now daredevil pilot Kurt Reid is about to tempt fate and fly into the heart of that jungle in search of his destiny-an adventure as daring and dangerous as any undertaken by Indiana Jones. He’s looking for gold, but not just any. He’s after one particular nugget-flying blind into a tropical haystack in search of a very valuable needle. Thanks to his grandfather’s vexing dying wish, his entire inheritance-as well as the shape of his future-hangs on the success of his journey. As if that weren’t bad enough, Kurt soon finds that his family legacy runs deep and dark in the Yucatan. The Mayans mistake Kurt for his grandfather, and they’ve got fifty-years worth of revenge to serve up. Whether he lands on the sacrificial altar or in the arms of his sexy co-pilot Joy, things are bound to heat up fast in pursuit of Forbidden Gold. In 1931, as a student at George Washington University, Hubbard founded the college Glider Club and within a few months a respected columnist said "he is recognized as one of the outstanding glider pilots in the country." Later he wrote as the aviation correspondent for the prestigious flying magazine Sportsman Pilot. His combined writing and flying expertise comprised the perfect recipe to give stories like Forbidden Gold their authentic flavor.
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Wrangle with some of the finest renegades, outlaws and dangerous desperados. Easy Bill Gates, genial landowner of the Las Pinas ranch, unwillingly earns a reputation as a gunman when, in the first (and only) rage of his life, he kills outlaw Fanner Marsten for murdering his brother. Enter George Barton, an unscrupulous, power-hungry hulk of a man and owner of the adjoining El Rancho Grandisimo, who seeks to add Las Pias to his holdings. Instead of offering a decent price for the place, Barton hires the fastest and filthiest gunmen alive to run Bill off his land. Now the only law anyone can turn to is Judge Colt... revolver. ALSO INCLUDES THE WESTERN STORY "RUIN AT RIO PIEDRAS" "With a flair of a Louis L'Amour or Zane Grey." -True West
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They call him Suicide, Smoke or simply Sudden Death. His name is Kit Gordon, and from the banks of the Mississippi to the shores of the Pacific, he is King of the Gunmen. As tall and lean and tough as a young John Wayne, Kit’s about to discover that sometimes it takes more than a quick draw and a sure aim to stand up like a man. Falsely accused of murder and one step ahead of a lynch mob, Kit escapes to the next county over-and a whole new identity. He changes his name and his whole outlook, teaming up with a lawman out to bring the rule of law to this untamed corner of Arizona. But the two men are soon drawn into the middle of a bloody feud between cattle ranchers and sheepherders. Before it’s over, the battle will lead Kit to a moment of truth . . . or a lifetime of lies. He’ll have to take a stand and reveal that he’s a wanted man-or turn tail and run for his life, never looking back. Born and raised in the twilight of the Old West-from Nebraska plain to the mountains of Montana-L. Ron Hubbard grew up in the company of real cowboys and rugged frontiersmen, even becoming a blood brother to a Blackfoot medicine man. His firsthand knowledge allowed him to instill a grit and authenticity into his stories that made him one of the leading writers of Westerns, publishing a total of 34 of them by the 1950s. Also includes the western adventure The No-Gun Gunhawk, the story of a legendary gunslinger’s son who swears never to take up a gun-until he is forced to break his vow when it becomes a matter of life and death.
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Stop the presses! One hundred thousand dollar reward offered for the return of George Harley Rockham! That’s more than enough to turn Shanghai newspaperman Jimmy Vance’s head. Throw in the gorgeous dame who’s offering the reward-Rockham’s daughter Virginia-and he might lose his head altogether. As fast-talking as Jimmy Stewart in The Philadelphia Story, Vance jumps at the chance . . . the money . . . and the girl. But as Jimmy quickly discovers, there are several billion reasons to watch his back. Because that’s how much Rockham is worth, and there are some very hard cases out there willing to kill to separate the old man from his money. Next thing Jimmy knows, Virginia’s tied to a chair, and he’s got a couple of guns pointed at his head. But it’ll take more than a little rope and a couple of firearms to keep this reporter down. The truth is tied to the mysterious fate of a steamship named Shanung-and what Jimmy finds could be the biggest story of his life . . . if he lives to tell it. In the issue of Smashing Novels where this story first appeared the editor wrote: "Loot of the Shanung is a soul-stirring tale of the China Sea, a story of modern piracy set in the Far East. L. Ron Hubbard wrote it. He knows China. He has been there. He traveled through the country and met the people and observed their customs. Smashing Novels will have other stories from him-stories of far-off places and little known people. He knows of what he writes."
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Imagine a young Laurence Olivier cast as a scholarly Oxford professor-an academic snatched out of his bookish world and pressed into service aboard Lord Nelson’s legendary British fleet-in the position of schoolmaster. Such is the life of the land-loving, seafaring Mister Tidwell, Gunner. Thrust into service at the height of the Napoleonic Wars, Tidwell soon finds himself directly in the line of fire and way out of his depth. Fate has cast him into a terrible and terrifying spot-alone on deck to face the fearsome approach of a French man-o’-war. The professor is about to get an object lesson in war, self-reliance . . . and survival. Overwhelmed by the smell of gunpowder, the sound of cannons, and the sight of death, he will either experience the sweet taste of victory . . . or the bitter taste of his own blood. In an essay called Search for Research Hubbard wrote about how he came up with story ideas: "I want one slim, forgotten fact. From there a man can go anywhere. . . . In one old volume, for instance, I discovered that there was such a thing as a schoolmaster aboard Nelson’s ships. . . . When did this occur? . . . The Napoleonic Wars." Drawing on this single obscure discovery, Hubbard delved deeper into the history and let his remarkable imagination do the rest. "Complete after a few days of search, I had my Mister Tidwell, Gunner." Also includes the sea adventures The Drowned City, the story of two deep-sea divers who set out in search of a long-lost treasure only to find that the waters are full of treacherous currents and even more treacherous men; and Submarine, in which a young sailor on leave enjoys a quiet interlude with his girlfriend-only to have it interrupted by a call to duty and danger. "
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Things are disappearing. Parts of buildings, parts of people, parts of the whole world-they’re here today, gone tomorrow. Old Shellback-a character as crazy-smart as Christopher Lloyd in Back to the Future-thinks he needs glasses. But all he really has to do is open his eyes . . . and see the light. Or so says George Smiley-otherwise known as the Messiah. George claims that the reason things are vanishing is because he wants them to go away. He has no more use for the world . . . and so it goes. Say goodbye. But Old Shellback has a different idea, and since he is the most stubborn man in the universe, you might want to hear him out. What’s Shellback’s idea? That two can play at this game. While George is making this world disappear, Old Shellback will make another one appear. Join him on an amazing odyssey-as he heads back to a future of his own making. By the spring of 1938, Hubbard’s stature as a writer was well established. As author and critic Robert Silverberg puts it: he had become a "master of the art of narrative." Hubbard’s editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to a genre that was new, and essentially foreign, to him-science fiction and fantasy. The rest is Sci-Fi history. Also includes the Science Fiction adventures, A Can of Vacuum, in which a practical joke on a space station proves that a good sense of humor is timeless, and 240,000 Miles Straight Up, the thrilling story of a race to the moon . . . and the one man who may be able to save the earth from Armageddon."
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Private detective Sam Spade nearly died, several times over, chasing The Maltese Falcon. But what Spade faced in pursuit of the black bird was child’s play compared to what Lieutenant Bill Mahone of Naval Intelligence endures when he sets out to find the Green God. He’s tortured with knives, threatened with a slow, painful death, and buried alive. And then things get really nasty. The entire Chinese city of Tientsin is under siege from within-the streets filled with rioting, arson, mass looting and murder. And all because the city’s sacred idol, the Green God, has gone missing. Mahone’s convinced he knows who stole the deity of jade, diamonds and pearls. To retrieve it, though, he’ll have to go undercover and underground. But he’s walking a razor’s edge-between worship and warfare, between a touch of heaven and a taste of bloody hell. As a young man, Hubbard visited Manchuria, where his closest friend headed up British intelligence in northern China. Hubbard gained a unique insight into the intelligence operations and spy-craft in the region as well as the criminal trade in sacred objects. It was on this experience that he based The Green God, which was his first professional sale, published in February, 1934-the beginning of a very remarkable and prolific writing career. Also includes the adventure Five Mex for a Million, in which an American Army captain, falsely accused of murder, finds himself taking on the Chinese government, a powerful Russian general, and a mysterious, unexpected passenger.
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As a young man Monte Calhoun was as wild as they come, thinking the measure of a man was how hard he could drink and how straight he can shoot. But several years of schooling back East have changed him. Now, as steadfast and principled as a young Jimmy Stewart, Monte has become The No-Gun Man. The East Coast has civilized him, and he’s bringing some of that civilization home to Superstition, Arizona . . . even if it means refusing to avenge the murder of his own father. Monte’s come back for one reason-to rescue his younger brother from this lawless land and take him back East. But out here in a land of frauds and outlaws and ambushes, a man’s principles have a way of folding under pressure-especially in the face of gunfire. And Monte’s no different. It’s only a question of how far he’ll be pushed before he starts pushing back . . . with a vengeance. Hailing from the western states of Nebraska, Oklahoma and Montana, Hubbard grew up surrounded by grizzled frontiersmen and leather-tough cowboys, counting a Native American medicine man as one of his closest friends. When he chose to write stories of the Old West, Hubbard didn't have to go far to do his research, drawing on his own memories of a youth steeped in the life and legends of the American frontier. Also includes the Western adventure, Man for Breakfast, in which the victim of a robbery will leave no stone unturned and no outlaw alive in his search for justice-even as he faces bullets, a hanging rope, and a startling revelation.
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