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Sam Corneile, a drifter, returns home to take a job at a local mental institution where he discovers a group of patients being exploited under an experimental art therapy regimen. While there, he falls for patient Helen, a feisty, manipulative female who dares him to confront his dark past.
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Sam begins his job as an orderly at "Farmhouse", a barn that's been converted into an art studio for the insane. Here he's given the task of overseeing Orson, an eclectic paranoid schizophrenic who likes to paint abstracts and talk to god. Next to Orson sits Helen, a sexy, educated temptress who's been shunned by her an affluent family. She's obviously trouble for Sam who sees women like her as a conquest. Sam befriends Jerome, another orderly, who warns him to keep his distance from the alluring advances of Helen. Keeping an eye on all of them is Dr. Crawford, a cunning psychiatrist who runs Pinewood Hospital for the mentally ill and is the brainchild behind the Farmhouse "art therapy" experiment.
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A Digital First. Sam and Naomi have it out at a cheap hotel She tells him he'll never change his ways and he storms out. Back at Farmhouse Sam and Jerome have a bonding moment. Jerome warms him about Helen and Sam seems to know his boundaries, but later, when the two are alone in the courtyard Helen turns on the charm. Sam has a rough time in a bar when some of his old ways come back and bit him.
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A Digital First. Sam walks in on his Dad entertaining his new lady friend and makes it clear he doesn't like her. Back at Farmhouse it becomes obvious to Sam that Dr. Crawford is messing with the patients medication to induce more outlandish paintings. Helen continues her flirting with Sam and he starts to open up to her. But later, Sam continues his affair with Naomi, old habits die hard.
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